Vermiculture is an outlet for experimental arts writing led by artists and writers. By ‘experimental’, we are thinking curious, speculative, and unwieldy. By ‘art’ we are thinking objects or situations created with a drive towards inquiry, contradictions, feelings (or their lack).
Called Vermiculture because of a deep appreciation for, and investment in, the living strategies of compost (working through, rehashing, rethinking, disintegrating), Vermiculture supports writing that enacts reflection, fragmentation, and murkiness / muckiness. This is in contrast to dominant norms in “Art Writing”, which often lands as performatively objective, prescriptive or absolute. It (“A.W.”) also leans towards servicing art with words, whereas the vermicultural goal is to tend to both art and writing, if not equally, then in generative asymmetry. Mudslide. Cesspool. Stopbath? Thinking-writing.
Vermiculture is enthusiastic about poems, lists, notes, scores, fragments, etc. Submit to our email using the contact link (more info below).
We encourage writers to reach out with proposals, odes, or promising drafts, etc. Publishing here does not need to be exclusive, nor reflect a writer’s final thesis on anything. Rather than polish, we approach what might provide insights into the stickiness and durability of our subjects and thoughtforms. Not limited to work that reviews current exhibitions, we are open to writing that engages with art in the past or present, and in any context.
Send an email to vermiculture.subs@gmail.com if you’d like to become involved. Unfortunately we cannot pay contributors.